Hilltop Gallery locates on Yanshan Mountains bordering Beijing and Chengde, where there is a perfect view to Jinshanling Great wall. With 1500㎡ construction area and 2600㎡ floor area, the building not only functions as an art gallery and venue for related cultural projects, but also a reception, dining and exhibition area for Phonenix Valley project.
hidden next to a canal, ‘klencke’ comprises a total of 50 units within a stepped profile that ensures optimal exposure for each home.
To reach Nulla Vale you continue driving past Tullamarine Airport for an hour. Just past the airport the landscape changes from tract housing to pastoral land and small rural communities. Dotted along the drive are old agricultural outbuildings and early settler dwellings. Simple structures, almost primitive, that are part of the landscape. Nostalgia for this connection between land and building was the guiding principle for our Nulla Vale House and Shed.
a new art space designed by pritzker laureate tadao ando is set to open in the city of chicago on october 12, 2018, with an inaugural show dedicated to the japanese architect and le corbusier. ‘wrightwood 659’ is a new venue devoted to exhibitions on architecture and socially engaged art, and occupies a 1920s building in […]
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Our Trending Now series features the most-saved photos uploaded to Houzz in the previous three months.
Auditorium in North Campus was originally used as a lecture hall. The renovation is designed to expand the space and improve the quality of the equipment, which will be used to host international conferences, and to serve as the student activity center. In the traditional concept, auditorium symbolizes sense of honor and order, which presents introverted and stylized stability. However, based on the current open and flexible teaching atmosphere of college, we define the auditorium as a part of the public space of the campus, and make it a diversified interactive place for campus activities, academic exchanges, assemblies and so on.
the new venue will be devoted to exhibitions on architecture and socially engaged art, with an inaugural show dedicated to ando and le corbusier.
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A steel and glass structure in the jungle forms the centrepiece of this nature retreat in Tulum, contrasting the thatched accommodation that faces the Caribbean sea. Located on an acre of land with a private beach, the Habitas Tulum hotel was created by the hospitality group of the same name. The flagship property for its
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Commissioned to celebrate the 2500th anniversary of the Persian Empire, the Azadi Tower has been a site of celebration, unrest, and revolution. Despite its association with the deposed Shah, the tower has been embraced as a national symbol of Iran, playing host to both pro- and anti-government demonstrations, following the controversial 2009 Presidential elections.
Founded by Juan Benavides in 2014, FILMATICA is an architectural film studio dedicated to making videos with a curatorial focus. The selection of projects is carried out in order to empathize with the formal interests of the studio, responding to aesthetic spatial conditions surrounded by powerful landscapes. With this in mind, FILMATICA makes a series of narratives that highlight architecture, time, movement, and our journey through the world. Below, a compilation of videos of contemporary architectural works narrated through the lens of Juan Benavides and the FILMATICA team.
Ok, we are calling it. This is the cutest security camera on the planet. Static images does not do this beautiful product justice. Do check out the video: Get in on Amazon. Recommended Reading: 50 Insanely Useful Smart Home Products To Make Your Life Easier
while the small cabin appears to be monolithic from the outside, the interior reveals its clustered tectonic.
[unable to retrieve full-text content]How will.i.am is changing voice recognition for business The Sydney Morning HeraldFull coverage
New York studio Attn Attn Architecture and Design has gutted an apartment in the city, and used light-toned marble against dark colours for a “classic but unique aesthetic”. The 800-square-foot residence in the Lenox Hill area of Manhattan’s Upper East Side was overhauled for a graphic designer, who wanted maximum impact on a limited budget.
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Coming down with a bad cold or the flu is dreadful. And for pregnant women, people with certain chronic medical conditions, children under 5 and people over 65, the flu can even lead to potentially dangerous complications. Thankfully, there are steps …
This home we named the Artery residence. The couple has been repeatedly named by ARTnews in the top 200 contemporary art collectors globally. The focus of this home is the art collection and how it flows and is pumped throughout the home, by way of a main ‘artery’.
“I Don’t Really See AI as A Threat”: Imdat As on Artificial Intelligence in Architecture
Is Artificial Intelligence (AI) the doom of the architecture profession and design services (as some warn) or a way to improve the overall design quality of the built environment, expanding and extending design services in ways yet to be explored? I sat down with my University of Hartford colleague Imdat As. Dr. As is an architect with an expertise in digital design who is an assistant professor of architecture and the co-founder of Arcbazar.com, a crowd-sourced design site. His current research on AI and its impact on architectural design and practice is funded by the US Department of Defense. Recently we sat down and talked about how this emerging technology might change design and practice as we now know it—and if so, would that be such a bad thing?
This article was originally published as “Doom or Bloom: What Will Artificial Intelligence Mean for Architecture?” on CommonEdge. It has been slightly abridged for publication on this platform; the full interview can be read on CommonEdge here.
Michael J Crosbie: What are the most direct applications of AI to architecture on the horizon?
Imdat As: In the short term I think we’ll see AI-driven CAD-software that can assist architects in the early stages of design development. The software tools we use now, like Revit, are actually not very good in early conceptual phases of a project.
Conceptual design requires a lot of exploration, testing several ideas at the same time. The best way to do conceptual design is still with pencil and paper. However, with new AI-driven software, a designer might provide a host of constraints, say, a chair made out of a particular material that can hold 300 pounds. The software could generate hundreds of optimal chair variations that the designer could choose from and develop further.
In the long run I can see AI-driven systems performing more complex tasks. Like, designing a home for two adults (one who uses a wheelchair) with two kids of certain ages and genders, a dog, on a particular lot. The system could pull all zoning data, building codes, and disabled design data, and generate design variations that also follow a certain design vocabulary and offer options—perhaps directly to the client, who picks the most responsive design.
MJC: What do you see as the potential benefits of AI to architectural practice?
IA: Deep learning is a very powerful analysis, identification, detection, and classification tool. Where data are available, AI can help architects with lots of analytical tasks, to have a better understanding of context, circulation patterns, spatial and material performance. This is true for not only the quantifiable and obvious characteristics of design, but also the more non-quantifiable ones, like maybe how a space makes you feel. We usually can’t easily quantify these qualities and they often get neglected.
MJC: What do you see as the potential benefits of AI to architectural design—what will be the impact of “deep learning” by machines on generating designs.
IA: Deep-learning machines could decipher patterns in architectural design that architects have intuitively or intentionally created over the years. Think of Christopher Alexander’s A Pattern Language, which compiled various patterns in the way we design residential architecture. AI could potentially expand such patterns to include not only functional and programmatic concerns, but also socio-economic, ideological, geographic, climatic, or other patterns that shape the built environment. With such a resource, AI-software could assemble the best patterns for a given problem into new compositions. Design decisions can become much smarter, which might lead to new hybrid vocabularies, and novel dynamic, adaptive, and synthesized compositions we never thought of.
MJC: AI can “learn” to design according to functional aspects of architecture; but what about those intangible qualities of architecture—human fascination, amusement, even spirituality? Can AI incorporate these qualities into design?
IA: Deep learning is all data driven, and any aspect of design, even intangible ones, can be analyzed—given there are data. For example, you could train a DNN about what makes a person of a certain culture perceive an architectural space as “spiritual.” You might collect data on such spaces and their ability to provoke spiritual feelings (based on perceptions recorded from visitors of various sacred spaces). The DNN could decipher major patterns that it identifies as essential to create a spiritual space. Looking at thousands of examples, the DNN might discover that such human perceptions of spirituality occur because spaces have certain proportions, lighting, height, scents, or aural qualities. Some of these might be obvious—the result that the architect intended. But others might be latent, that we never thought of. Such work is really based on the availability of data, and the more the better.
MJC: What are the possible threats of AI to current architectural design and practice? How could it radically change the way architecture is created?
IA: I don’t really see AI as a threat. As a technology that can eventually help designers and clients drastically improve their built environment, I think with emerging AI tools designers will benefit from a swarm of design ideas very early on—one could compare it to crowdsourcing designs online but with no human designers. In addition, all the grunt work we do as architects could potentially be automated. We then could reach a much wider audience, and provide access to quality design to a broader portion of the public.
IA: There are actually style-transfer applications on 2D images, text, or audio. For example, “Neural Doodle” by Alex Champandard translates any rough doodle into a painting by a famous artist. At some point this will be achieved in 3D as well. It could be a hybrid system where a graph-based DNN like the one we worked on is combined with an image-based DNN that identifies a personal design vocabulary or style and applies it to a new composition. Such a development has the potential to impact practice. This is wild speculation, but perhaps architectural practice could be modeled on the music industry, where, for example, Frank Gehry develops a “style” and whoever uses his language through an AI-driven system pays him a royalty. Gehry in that way might “design” millions of structures around the world. We could even have architects who long ago ended their careers “designing” again via AI.
MJC: Some observers warn that AI might be the end of human civilization, as machines take over decision making from the planet’s “inferior beings” (that’s us). Do you see a similar potential in architecture?
IA: There is a project by MX3D, a robotics start-up company, to 3D print a bridge on one of Amsterdam’s canals without physical human intervention. If in the future 3D printing could happen autonomously, we might have intelligent, self-constructing 3D printers that build, re-adjust/re-evaluate, build again, based on climatic conditions, circulation methods and paths, safety concerns, and so on. It would be interesting to see what type of architectural spaces, urban layouts they might develop.
I don’t predict a “Westworld” scenario with machines taking over humanity, at least not for the foreseeable future. I actually think the opposite. With the problems we are facing on earth—like climate change, overcrowding, poverty—AI is perhaps an essential technology that will allow a major leap in human history to organize, produce, and improve. The problems we are facing are very complex, and will be difficult to solve without AI intervention.
MJC: Five years from right now, how do you think architectural design and practice will be different because of AI?
IA: We always talk about the Renaissance master builder as the archetypal designer, who was not only an architect, but also a builder, an engineer, and was able to marry fields of the practice that we now separate. The power of building information modeling tools like Revit or ArchiCAD was that they somehow brought back the power of the master builder, because they enabled a single creator to not only design the edifice, but also model structural efficiency, simulate energy consumption, and other factors. They empowered the architect, so it is not surprising that 72 percent of all architectural offices in the US are one-to-two-person offices. Perhaps this trend will be further enhanced with AI coming into play. Not in five years, but perhaps further down the road, AI-driven design systems could be used directly by clients. I think this will help the 90 percent of construction work currently done without architects. These AI-driven design tools for the non-professional would be created by architects, allowing them to extend or expand their design knowledge and influence to areas of the built environment they currently don’t have access. It would be a blooming of quality design accessible through AI-driven design software. One way or another AI will have a deep impact on the way we conceive, represent, and develop architecture and shape our built environment. I think this is truly a turning point in architectural history.