Spotlight: Peter Eisenman


Wexner Center for the Arts. Image © <a href='https://www.flickr.com/photos/75905404@N00/3484952969'>Flickr user OZinOH</a> licensed under <a href='https://creativecommons.org/licenses/by-nc/2.0/'>CC BY-NC 2.0</a>

Wexner Center for the Arts. Image © <a href='https://www.flickr.com/photos/75905404@N00/3484952969'>Flickr user OZinOH</a> licensed under <a href='https://creativecommons.org/licenses/by-nc/2.0/'>CC BY-NC 2.0</a>

Whether built, written or drawn, the work of renowned architect, theorist and educator Peter Eisenman (born 11th August 1932) is characterized by Deconstructivism, with an interest in signs, symbols and the processes of making meaning always at the foreground. As such, Eisenman has been one of architecture’s foremost theorists of recent decades; however he has also at times been a controversial figure in the architectural world, professing a disinterest in many of the more pragmatic concerns that other architects engage in.


© Chris Wiley

© Chris Wiley

After receiving degrees in architecture from Cornell and Columbia universities and then a PhD from Cambridge university, Eisenman rose to fame in the late ‘60s, as part of the New York Five, a group that shared an interest in the purity of architectural form and besides Eisenman included Michael Graves, Richard Meier, John Hejduk and Charles Gwathmey.


House II. Image <a href='https://www.an-onymous.com/peter-eisenman/'>via an-onymous.com</a>

House II. Image <a href='https://www.an-onymous.com/peter-eisenman/'>via an-onymous.com</a>

Eisenman has maintained his position at the fore of architectural theory thanks to what Stefano Corbo, in his book the Cooper Union school of architecture.


House VI. Image © NJIT

House VI. Image © NJIT

Given his significant influence in the profession, Eisenman has built surprisingly little; however the buildings he has completed are often incredibly dense in their ideological underpinning, frozen manifestos for his theory. Among his most critical works are House VI, the Wexner Center for the Arts, the Memorial to the Murdered Jews of Europe and the City of Culture of Galicia.


Axonometric drawing of the Wexner Center. Image <a href='https://www.an-onymous.com/peter-eisenman/'>via an-onymous.com</a>

Axonometric drawing of the Wexner Center. Image <a href='https://www.an-onymous.com/peter-eisenman/'>via an-onymous.com</a>

The Memorial to the Murdered Jews of Europe. Image © <a href='https://www.flickr.com/photos/dalbera/9617851018/'>Flickr user dalbera</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

The Memorial to the Murdered Jews of Europe. Image © <a href='https://www.flickr.com/photos/dalbera/9617851018/'>Flickr user dalbera</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>

See all of Peter Eisenman’s built work featured on ArchDaily via the thumbnails below, and further coverage of the architect and his theories below those:

Correction update: An earlier version of this article stated that Peter Eisenman collaborated with Jacques Derrida on his competition entry to design the Parc de la Villette, which was incorrect.

From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman

Eisenman’s Evolution: Architecture, Syntax, and New Subjectivity

AD Interviews: Peter Eisenman

Interview with Peter Eisenman: “I Am Not Convinced That I Have a Style”

AIA Honors Peter Eisenman with 2015 Topaz Medallion

AD Classics: 1988 Deconstructivist Exhibition at New York’s Museum of Modern Art (MoMA)

Peter Eisenman: American Architecture Today

Venice Biennale 2012: The Piranesi Variations / Peter Eisenman