The career of Gottfried Böhm (born January 23, 1920) spans from simple to complex and from sacred to secular, but has always maintained a commitment to understanding its surroundings. In 1986, Böhm was awarded the eighth Pritzker Prize for what the jury described as his “uncanny and exhilarating marriage” of architectural elements from past and present. Böhm’s unique use of materials, as well as his rejection of historical emulation, have made him an influential force in Germany and abroad.
Responding in part to recent debates on how big data will affect our built environments, Synthesis Design + Architecture have teamed up with IBM Watson Analytics to design an interior feature wall for the Watson Experience Center in San Francisco. The project, named Data Moiré after the dizzying patterns created by overlapping sets of lines, uses data from the influence of mobile phones on monthly consumer spending to create a precise screen material that defines the wall.
In a recent TED Talk, architect Siamak Hariri takes the audience inside his design process for the Bahá’í Temple of South America. Responding to an open call in 2003 to design the last of the faith’s continental temples in Santiago, Chile, Hariri recalls a moment as a student at Yale when he learned about the transcendent power of architecture, a moment he tried to recreate in the twelve-year project.
There’s a lot that the presence of skyscrapers can say about a city. They can be indicators of anything from wealth to modernization to density, or a combination of all three, depending on where you look. This potential to observe trends in a city through the height of its buildings makes data on those buildings valuable to a multitude of industries, so companies like Emporis conduct and distribute research on topics like the newest, tallest, and most expensive buildings in the world. Keep reading to find out about the ten tall cities that are home to the largest number of skyscrapers—as defined by Emporis’ definition of a building that is 100 meters or more.
During his frequent travels to Seoul, Hong Kong– and Singapore-based photographer Raphael Olivier noticed a new trend taking the South Korean capital: a crop of geometric, concrete buildings of all genres. He calls the new style Neo-Brutalism, after the modernist movement that proliferated in the late 1950s to 1970s, in which raw concrete was meant to express a truth and honesty. Olivier’s observation led him to capture the phenomenon in a personal photo series—a photographic treasure trove of these projects which, when taken as a whole, uncovers a cross-section of this trend in the city’s architecture.
How much effort are you willing to put in to attract that special someone? The humble Japanese pufferfish, just twelve centimeters long when un-puffed, almost certainly has you beat. To attract the best fish in the sea, male pufferfish spend at least seven 24-hour days completing an intricate mating ritual that involves swimming their bodies into and through the seafloor to form ridges and trenches in the sand. If they pause too early, the entire ordeal gets washed away by currents.
Samantha Hardingham’s recently-published work, A Forward-Minded Retrospective: Cedric Price Works—1953-2003, traces the architect’s career through a comprehensive collection of his drawings and renders. The exhaustive two-volume work acknowledges Cedric Price not just as the entertaining novelty he is often regarded as, but as a great mind who was ahead of his time. While the vast majority of work produced during his lifetime was never built, Hardingham draws out the radical genius behind such projects as the hybrid office complex-highway “Officebar,” a zoo restaurant whose column-less interior paved the way for its later conversion to a giraffe habitat, and many others—built and unbuilt.