This project emerged during the summer of 2015, when CHOPEkE Collective, together with Paúl Pérez, a seminarian and active member of the group, visited the community of Santa Luisa de Marillac, located in the central periphery of Ciudad Juárez. At the time, members of the community had an “unworthy” space -as they called it- for their meetings and spiritual activities.
Thinking broadly of architecture, the masterpieces of the past inevitably come to mind; buildings constructed to withstand the passage of time, that have found an ally in age, cementing themselves in the history of humanity. Permanence, however, is a hefty weight to bear and architecture that is, due to its program, ephemeral should not be cast aside as “lesser-than.”
Thinking broadly of architecture, the masterpieces of the past inevitably come to mind; buildings constructed to withstand the passage of time, that have found an ally in age, cementing themselves in the history of humanity. Permanence, however, is a hefty weight to bear and architecture that is, due to its program, ephemeral should not be cast aside as “lesser-than.”
The “about” section of Vancouver-based studio Henriquez Partners Architects‘ website boldly states: “We believe that architecture should be a poetic expression of social justice.” While empowering communities through socially conscious design is hardly a new concept, the term “public-interest architecture” tends to call to mind images of low-budget constructions. The term is rarely employed to describe the large, mixed-use projects that have come to characterize downtown Vancouver and Gregory Henriquez’s firm.
As we face a global climate crisis that must be addressed, sustainability has quickly become one of the most crucial aspects to consider in contemporary architecture. Designs that go beyond current standards, showcasing sustainable responses to technological, environmental, socioeconomic and cultural issues have arisen in recent years, garnering much-deserved praise for the innovative and environmentally-friendly solutions they propose.
SPACE10, the future-living lab created by IKEA, announced this week a “playful research project” to investigate the future of co-living. One Shared House 2030, a website created in collaboration with New York-based designers Anton & Irene, asks members of the public to “apply” for acceptance to an imagined co-living community in the year 2030, outlining their preferences for the types of people they would like to live with, the way they would like the community to be organized, and the things they would be willing to share with others. SPACE10 hopes that the research project will provide information on whether co-living could offer potential solutions to issues such as rapid urbanization, loneliness, and the growing global affordable housing crisis.
“Beauty,” as Umberto Eco tells it, “has never been absolute and immutable but has taken on different aspects depending on the historical period and the country.” So how is beauty defined today in our increasingly globalized world? Perhaps a more interesting question to ask is whether arriving at such a conclusion remains relevant to our society.
The CEMEX Building Award recognizes the best projects in Mexico and the rest of the world that use concrete in a creative and innovative way, with a focus on sustainability and social welfare. This year, the award received 545 entries in its Mexican Edition, of which 18 were awarded prizes.
The CEMEX Building Award recognizes the best projects in Mexico and the rest of the world that use concrete in a creative and innovative way, with a focus on sustainability and social welfare. This year, the award received 70 entries in the 5 categories and 4 special awards of its International Edition.
How can play areas in cities open up new ways to interact with and experience space?
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