Set amongst the undulating sand dunes and dense moonah trees on the ocean side of the Mornington Peninsula, the Wildcoast House is rooted in its environment. Built on Bunurong Country of the Kulin Nations, the home is composed of three curving walls that provide a private retreat from the coastal environment.
Set amongst the undulating sand dunes and dense moonah trees on the ocean side of the Mornington Peninsula, the Wildcoast House is rooted in its environment. Built on Bunurong Country of the Kulin Nations, the home is composed of three curving walls that provide a private retreat from the coastal environment.
Four squares dictate the spatial layout for this extended family home in Co. Clare. The house is broken into three simple block forms around these squares.
A school attentive to living systems
Training for healthcare professions implies designing a place capable of supporting demanding learning processes, intense work rhythms, and a daily relationship with people. In Évreux, the new Eure Paramedical Training Institute (IFPE) embodies this ambition through architecture that integrates state-of-the-art educational and technological facilities, attentive to its young users, its landscape context, and current environmental challenges, where the human dimension of the project is closely intertwined with landscape and living systems.
There is something familiar in Grant Nimmo’s paintings of lush, forested landscapes. The deeply enriching emotional response to being within the time, the temperature, the sounds, and the colours of the natural world. They depict, with a hauntingly beautiful degree of realism, the feeling of being within the complexity of spaces framed within a thickly planted landscape. Their existence today feels almost archival, as if they record an environment increasingly diminishing, still within reach, but only just. Spaces are connected, overlap, and peek out from behind trees. They shift and bend around the life and depth of the landscape. They are connected.
This is a reimagining of the traditional fisherman’s weatherboard cottage from the 1850s. The historical significance of the surrounding area has influenced the recasting of this derelict fisherman’s cottage into a contemporary home of permanence.
Earth | Tree, a new site-specific installation with Dinesen Douglas by renowned Japanese architect Kengo Kuma and his studio Kengo Kuma & Associates (KKAA), opens at international art centre Copenhagen Contemporary on 28 March 2026.
Bangsue Residence exemplifies an architectural vision that transcends spatial organization, embracing the challenge of creating a home for a three-generation family. The design moves beyond mere room allocation, striking a delicate balance between togetherness and individual privacy—ensuring the house truly becomes “the home for everyone.”
In the heart of the Serra da Estrela Natural Park, the need emerged to breathe new life into two pre-existing buildings, reshaping them to welcome the TerraSense Mountain Charm Retreat, a rural tourism and hotel experience.
Surrounded by the Seto Inland Sea, NOT A HOTEL’s newest resort – NOT A HOTEL Setouchi – is now open on the remote island of Sagishima. The three distinct villas are made of soil directly from the site using the traditional rammed earth technique, carved into the island’s mountainous terrain. Made up of three villas, a beachfront restaurant, and a private beach, NOT A HOTEL Setouchi is set on a 30,000-m2 site on the southwestern cape of Sagishima. Designed by BIG with construction taking less than two years, fractional ownership was offered through NOT A HOTEL’s shared ownership model, building upon the brand’s network of luxury vacation homes across Japan.
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