Installation

The Grand Palais Éphémère is a temporary 10,000 sqm building designed by Wilmotte & Associés and constructed on the Champ-de-Mars in Paris, in front of the Ecole Militaire on the axis of the Eiffel Tower.

Formalized as a geometric and abstract city, built by large yellow cubes, the Nadir Afonso Temporary Museum is an open and fluid space that seeks to create numerous visual and conceptual relationships with the work of the abstractionist artist and Portuguese architect.

‘Come on, Calm on’, a new project under ThongEk Creative Neighborhood that represents how people can ‘open’ to the new possibilities in design, to overcome the world of today’s chaos through the healing process using nature as a means. . It is undeniable that the lifestyle of urban residents has gradually changed over time. Initially, people were fundamentally connected to nature.

Architecture and people are closely intertwined and through the creation of a space, the connection between the individuals within a space is encouraged. This was the starting point for the installation designed by noa*. The concept proposes a kind of light and sound landscape, which welcomes visitors as they enter the exhibition. On either side of the doorway, a crown of structural light-beams open up, each one at different heights, visually amplifying the sequence of the 17th-century portico that serves as the setting for the installation.

The temporary exhibit, “how it was. Space and History,” is one piece of a four-part provincial exhibition in the Austrian state of Styria which showcases the region´s cultural heritage on the first floor of the History Museum in Graz. Located in Palais Herberstein, the museum is a significant historic building in the city center. The 500 square meter exhibition, spanning from the beginning of our era to the 20th century, aims to make ancient traces of historic architecture, landscapes, borders, legislation, and society legible and visible.

Casa Batlló is a homage to the light of the Mediterranean: its light, shadow, and colors of the sky and sea. The central courtyard captures all that Mediterranean light and distributes it vertically to all the corners of the house, no matter how remote they are. The color gradation from darker to lighter blue doses the light in its vertical travel and makes sure it does not lose its pigments. 

Sky Castle is a dreamy, interactive sound and light installation, featuring a cluster of inflatable arches that span in colourful symphony across public space. As visitors move through the arches, their movement powers and progresses the melodic xylophone soundscape stimulating colour changes in each arch. Light, colour and music have been orchestrated to evoke the joy and hope that rainbows bring after every storm. As more people join the journey, the contemporary score crescendos in intensity creating a lush, orchestral piece that is different every night as it responds to crowd flow and fluctuations. 

The Airship Orchestra by Melbourne art and technology company ENESS is reinvigorating cities across the world with a spectacular immersive art experience. The temporary artwork is a mystical tribe of 16 otherworldly inflatable sculptures (some up to six metres) all supported by a fully networked internal system of motion sensors enabling its characters to respond to passers-by; behave as a choir and ‘compose’ a fresh, generative score each night.

The theme of building and renovation is almost fundamental for the Tretyakov Gallery in Samara. In the near future, the museum should move to the former building of a constructivist kitchen factory. Now, surrounded by scaffolding, it is returning to life. The temporary pavilion of the gallery assembled from the scaffolding for the Volgafest festival is a space immersed into the repair, which simultaneously becomes a symbol of the building of a kitchen factory and a metaphor for renewal and regeneration.