The building proposal aims to respect the programmatic requirements, developing a museum area, especially an interpretation area related to the observation of birds in their natural habitat, in parallel providing support for research and leisure.
Text description is based on multiple interviews of the architect, LI Li, with Weiling He.
While no building can ever represent the inhumane injustices that occurred during the Holocaust, it can certainly be a vessel for the meaningful presentation of the repercussions, human experiences and realities thereof to ultimately influence impactful societal change. The new Dallas Holocaust & Human Rights Museum, dedicated to teaching the history of the Holocaust and advancing human rights, is in West End Historic District of downtown Dallas.
As a continuation of Friedrich August Stüler’s forum architecture, the James-Simon-Galerie serves as the new entrance building for Museum Island, completing the ensemble between the Kupfergraben canal and Neues Museum. Together with the ‘Archaeological Promenade’, it forms the backbone of the master plan that was developed in 1999 and adopted as the basis for all further planning on Museum Island. The building is sited on a narrow strip of land where Karl Friedrich Schinkel’s ‘Neuer Packhof’ administration building stood until 1938.
The city of Miltenberg is characterised by its particular location near the river Main between the Forest of Odes and the Spessart Mountains. The well-preserved historical center with many half-timbered houses stretches out along the Main and is limited on its back side by a steep hillside, which in the past was used as a natural stone quarry. The here removed red Main sandstone dominates the whole city.
Located in Songzhuang, Beijing China, Tree art museum lies beside the main road of the area. Original village has vanished, replaced by big scale blocks which better fit for cars. Even if renowned as artist village, it’s difficult to stay or enjoy art exploration without local artist friend’s introducing. So, the first idea was to create an ambient, a public space where people would like to stay, date and communicate.
Dedicated to the work of the legendary French fashion designer, the Musée Yves Saint Laurent Marrakech (mYSLm) opened its doors in autumn 2017. It houses an important selection from the Fondation Pierre Bergé – Yves Saint Laurent’s impressive collection, which comprises 5,000 items of clothing, 15,000 haute couture accessories as well as tens of thousands of sketches and assorted objects.
The building, which is one of the UNESCO’s WORLD HERITAGE SITES, was extensively renovated and through a new building completed into a museum showing a permanent exhibition as well as exhibitions presenting diverse and specific aspects and topics.
Traversing the winding Randselva river, BIG’s first project in Norway, The Twist, opens as an inhabitable bridge torqued at its center, forming a new journey and art piece within the Kistefos Sculpture Park in Jevnaker, Norway. Kistefos’ new 1,000m2 contemporary art institution doubles as infrastructure to connect two forested riverbanks, completing the cultural route through northern Europe’s largest sculpture park.
Kaomai Museum is an adaptive-reused project within Kaomai Estate 1955, the revitalized project of sixty-three-year old tobacco processing plant estate in Chiang Mai, once a glorious local community’s economic center. Recently, this project was awarded by the 2018 UNESCO Asia-Pacific Awards for Cultural Heritage Conservation in New Design in Heritage Contexts category. PAVA architects designed the museum by considering “the site as a museum”, in which contains the valuable historical and natural heritage. Therefore, Kaomai Estate 1955 is narrated by the “histo-eco museum” routes.
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