Museum

Odunpazari Modern Art Museum is to exhibit the owner’s collection of Turkish modern art. The Museum is planned in the city of Eskisehir where the owner was born and raised. The project is to realize the owner’s ambition to promote Turkish art and to make a cultural contribution to the city of Eskisehir. Eskisehir is known as a university town where the young population is large and the city has a lively and active atmosphere.

After an eight-month renovation, the Biesbosch Museum reopened to the public this summer. The museum has been completely transformed and extended with a new wing that opens to its beautiful surroundings and houses a restaurant and temporary exhibition space for contemporary art. The permanent exhibition that explains the historical development of the region has also been totally revamped. A large water model of the Biesbosch and a freshwater tidal park are also planned on the Museum Island. Building, interior, water model and freshwater tidal park were designed by Studio Marco Vermeulen, and the exhibition was designed by Studio Joyce Langezaal.

Situated nearby the Saint Peter’s Church on Mount Starius in Antakya, that is claimed to have housed the first Christian congregation, the 199-room hotel is erected on a site of archaeological findings dating back to antiquity. The Museum Hotel Antakya pays homage to the amazing mosaics, baths, piazzas discovered during the first drills of the site and draws on the tensioned relationship of Archaeology and Architecture by intertwining the ancient and the modern.

Located in the high-density Xuhui District, in downtown Shanghai, Jade Museum is a renovation from an office building. For this project we were commissioned to convert the noncomplex office space into a multi-functional communication art museum on the premise of keeping the original building structure. Faced with the change in the use of the building, we first deconstruct the straightforward logic of the space and blur the functions’ interface. We implement the tools of digital design early in the conceptual phase, to help us rebuild the logic of space and translate the folding of the circulation flows into a folding of space itself.

The Memorial Museum in Palmiry is integrated into the pine-birch forest surrounding the cemetery. The museum building forms a part of the Kampinos National Park enclosed by steel and glass walls and covered by a green flat roof made of smooth architectural concrete. During the Second World War, the Palmiry woods was the witness to the Nazis massacre of over two thousand Polish civilians mainly from the intellectual elite. The building’s ascetic form and raw construction tell the shocking story and form the background for the exhibition. The exhibition space is placed among the trees – mute witnesses of the tragedy from the past. The relation between the building and the surroundings is emphasised by the introduction of greenery to the interior of the building to illuminate the patio display.

Today’s vigorously developing Southern Taiwan Science Park was long ago inhabited by different prehistoric peoples. The Museum of Prehistory was built to house the rich troves of archeological treasures discovered by chance during the construction of the Science Park; and to preserve these precious artifacts dating as far back as 5,000 years. The museum’s overall architectural scheme is based on the idea of: going further back in time the farther down you go. The depth of your knowledge likewise increases as you proceed downward from today to over five millennia ago.

Kita+ is part of the Public Park planned as part of the Landesgartenschau Lahr 2018. The aim was to plan a 5-group daycare and a museum part with a meeting place. The outdoor facilities are shared. The museum area is linked to the showroom of a nearby show construction site of a Roman strip house.

Once a busy glass factory on the edge of Shanghai city until the 1990s, Shanghai Museum of Glass went through several transformations since 2009 from an industrial legacy into a unique cultural destination.